Making Documentary Films and Reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real EventsMacmillan, 1997 - 342 páginas Making Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a documentary. Barry Hampe, who has made more than 150 documentary films and videos, traces the two main approaches to documentary--recording behavior and re-creating past events—and shows students how to do both effectively. Covering all the steps, from conceptualization to completion, the book includes chapters on visual evidence; documentary ethics; why reality is not enough; budgeting; and casting, crew, and equipment selection. |
Conteúdo
I | 1 |
III | 3 |
IV | 4 |
V | 5 |
VI | 6 |
VII | 8 |
IX | 9 |
XI | 12 |
CXVII | 165 |
CXVIII | 167 |
CXX | 168 |
CXXII | 169 |
CXXIII | 170 |
CXXV | 171 |
CXXVII | 172 |
CXXIX | 173 |
XIII | 15 |
XIV | 16 |
XV | 20 |
XVII | 22 |
XIX | 23 |
XXI | 27 |
XXIII | 30 |
XXIV | 32 |
XXV | 33 |
XXVI | 34 |
XXVII | 35 |
XXIX | 36 |
XXXI | 37 |
XXXIII | 38 |
XXXV | 41 |
XXXVI | 49 |
XXXVIII | 50 |
XL | 52 |
XLII | 52 |
XLIII | 52 |
XLIV | 53 |
XLV | 55 |
XLVI | 56 |
XLVIII | 59 |
L | 61 |
LI | 62 |
LII | 64 |
LIV | 65 |
LV | 67 |
LVII | 68 |
LIX | 69 |
74 | |
LXII | 75 |
LXIV | 76 |
LXVI | 77 |
LXVII | 81 |
LXIX | 82 |
LXXI | 84 |
LXXII | 86 |
LXXIII | 89 |
LXXIV | 91 |
LXXV | 95 |
LXXVII | 96 |
LXXIX | 101 |
LXXX | 107 |
LXXXI | 110 |
LXXXIII | 113 |
LXXXIV | 117 |
LXXXV | 118 |
LXXXVII | 124 |
LXXXVIII | 125 |
LXXXIX | 126 |
XCI | 134 |
XCIII | 137 |
XCIV | 140 |
XCV | 141 |
XCVI | 144 |
XCVII | 145 |
CI | 146 |
CIV | 147 |
CVI | 148 |
CVIII | 149 |
CIX | 150 |
CX | 157 |
CXII | 159 |
CXIV | 162 |
CXV | 164 |
CXXX | 175 |
CXXXI | 176 |
CXXXIII | 181 |
CXXXIV | 183 |
CXXXVI | 184 |
CXXXVIII | 186 |
CXL | 195 |
CXLI | 197 |
CXLII | 200 |
CXLIII | 201 |
CXLV | 205 |
CXLVI | 207 |
CXLVIII | 211 |
CL | 216 |
CLI | 217 |
CLII | 218 |
CLIII | 220 |
CLV | 221 |
CLVI | 224 |
CLVIII | 228 |
CLX | 233 |
CLXII | 234 |
CLXIV | 235 |
CLXVI | 238 |
CLXVIII | 240 |
CLXIX | 243 |
CLXXI | 245 |
CLXXIII | 247 |
CLXXV | 251 |
CLXXVI | 252 |
CLXXVIII | 255 |
CLXXX | 261 |
CLXXXI | 262 |
CLXXXIII | 263 |
CLXXXV | 264 |
CLXXXVII | 266 |
CLXXXIX | 268 |
CXCI | 269 |
CXCIII | 270 |
CXCVI | 272 |
CXCIX | 273 |
CCI | 275 |
CCII | 277 |
CCV | 282 |
CCVII | 283 |
CCIX | 284 |
CCXI | 285 |
CCXIII | 288 |
CCXV | 289 |
CCXVII | 290 |
CCXIX | 291 |
CCXX | 294 |
CCXXII | 298 |
CCXXIV | 302 |
CCXXV | 304 |
CCXXVII | 305 |
CCXXIX | 307 |
CCXXX | 308 |
CCXXXII | 309 |
CCXXXIII | 311 |
CCXXXVI | 313 |
CCXL | 317 |
CCXLII | 323 |
CCXLIII | 324 |
CCXLIV | 327 |
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Making Documentary Films and Reality Videos: A Practical Guide to Planning ... Barry Hampe Prévia não disponível - 1997 |
Termos e frases comuns
actors actually audi audience audio behavioral documentary Betacam budget camera operator casting director cinema verité close-up cost creative direct cinema docu documen documentary film documentary idea editing editor equipment everything film and video film or video film or videotape film stock filmmakers finished happens hidden camera Hoop Dreams images important International Documentary Association interview invisible wall keep Ken Burns kids kind learning light look mentary microphone narration never off-line on-line person picture playing possible postproduction problem production questions reality record reenactment running schedule screen script scriptwriter sequence shot Silent film Sol Worth someone sound recordist sound track stock footage studio talking talking heads tape tary TelePrompTer television tell there's things tion unique event Various distributors verisimilitude videotape visual evidence writing