Making Documentary Films and Reality Videos: A Practical Guide to Planning, Filming, and Editing Documentaries of Real EventsMaking Documentary Films and Reality Videos is the perfect text for students of filmmaking who would like to make a documentary. Barry Hampe, who has made more than 150 documentary films and videos, traces the two main approaches to documentary--recording behavior and re-creating past events—and shows students how to do both effectively. Covering all the steps, from conceptualization to completion, the book includes chapters on visual evidence; documentary ethics; why reality is not enough; budgeting; and casting, crew, and equipment selection. |
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Conteúdo
I | 1 |
II | 3 |
III | 4 |
IV | 5 |
V | 6 |
VI | 8 |
VIII | 9 |
X | 12 |
CXVI | 165 |
CXVII | 167 |
CXIX | 168 |
CXXI | 169 |
CXXII | 170 |
CXXIV | 171 |
CXXVI | 172 |
CXXVII | 173 |
XII | 15 |
XIV | 16 |
XV | 20 |
XVII | 22 |
XIX | 23 |
XXI | 27 |
XXII | 30 |
XXIV | 32 |
XXV | 33 |
XXVI | 34 |
XXVIII | 35 |
XXX | 36 |
XXXII | 37 |
XXXIV | 38 |
XXXV | 41 |
XXXVI | 49 |
XXXVIII | 50 |
XL | 52 |
XLII | 52 |
XLIII | 52 |
XLIV | 53 |
XLV | 55 |
XLVII | 56 |
XLIX | 59 |
LI | 61 |
LII | 62 |
LIII | 64 |
LV | 65 |
LVI | 67 |
LVIII | 68 |
LX | 69 |
74 | |
LXIII | 75 |
LXV | 76 |
LXVII | 77 |
LXVIII | 81 |
LXX | 82 |
LXXII | 84 |
LXXIII | 86 |
LXXIV | 89 |
LXXV | 91 |
LXXVII | 95 |
LXXIX | 96 |
LXXXI | 101 |
LXXXII | 107 |
LXXXIII | 110 |
LXXXV | 113 |
LXXXVI | 117 |
LXXXVII | 118 |
LXXXIX | 124 |
XC | 125 |
XCI | 126 |
XCIII | 134 |
XCIV | 137 |
XCV | 140 |
XCVI | 141 |
XCVII | 144 |
XCVIII | 145 |
CII | 146 |
CIII | 147 |
CV | 148 |
CVII | 149 |
CVIII | 150 |
CIX | 157 |
CXI | 159 |
CXIII | 162 |
CXIV | 164 |
CXXVIII | 175 |
CXXX | 176 |
CXXXII | 181 |
CXXXIII | 183 |
CXXXIV | 184 |
CXXXVI | 186 |
CXXXVIII | 195 |
CXXXIX | 197 |
CXLII | 200 |
CXLIII | 201 |
CXLIV | 205 |
CXLV | 207 |
CXLVII | 211 |
CXLIX | 216 |
CL | 217 |
CLI | 218 |
CLII | 220 |
CLIV | 221 |
CLV | 224 |
CLVI | 228 |
CLVII | 233 |
CLIX | 234 |
CLXI | 235 |
CLXII | 238 |
CLXIII | 240 |
CLXIV | 243 |
CLXVI | 245 |
CLXVII | 247 |
CLXIX | 251 |
CLXX | 252 |
CLXXII | 255 |
CLXXIV | 261 |
CLXXV | 262 |
CLXXVI | 263 |
CLXXVII | 264 |
CLXXVIII | 266 |
CLXXX | 268 |
CLXXXII | 269 |
CLXXXIV | 270 |
CLXXXV | 272 |
CLXXXVII | 273 |
CLXXXIX | 275 |
CXC | 277 |
CXCI | 282 |
CXCII | 283 |
CXCIV | 284 |
CXCVI | 285 |
CXCVII | 288 |
CXCVIII | 289 |
CXCIX | 290 |
CCI | 291 |
CCII | 294 |
CCIV | 298 |
CCVI | 302 |
CCVII | 304 |
CCIX | 305 |
CCXI | 307 |
CCXII | 308 |
CCXIV | 309 |
CCXV | 311 |
CCXVIII | 313 |
CCXXII | 317 |
CCXXIII | 323 |
CCXXIV | 324 |
327 | |
Outras edições - Ver todos
Making Documentary Films and Reality Videos: A Practical Guide to Planning ... Barry Hampe Não há visualização disponível - 1997 |
Termos e frases comuns
able actors actually answer audience become begin behavior better bring camera camera operator casting child communicate complete cost create crew direct director docu documen documentary don't editing editor equipment event everything experience film final finished follow footage getting give happened hour idea images important interesting interview it's keep kind learning light look matter means mentary minutes move narration never opening organize original person picture playing possible present probably problem production questions reality reason record requires running scene schedule screen script sequence shooting shot shown situation someone Sometimes sound started talking tape tell things tion track truth turn usually videotape visual visual evidence wall writing young