Film Production Technique: Creating the Accomplished Image, 5th
Cengage Learning, 3 de jan de 2008 - 480 páginas
FILM PRODUCTION TECHNIQUE: CREATING THE ACCOMPLISHED IMAGE, Fifth Edition, delivers a technical and aesthetic introduction to media production that couples video production techniques with strong emphasis on incorporating motion picture film into a project’s workflow. FILM PRODUCTION TECHNIQUE: CREATING THE ACCOMPLISHED IMAGE, Fifth Edition, is an incredible primer for all students, but is especially valuable to those students with limited background in the field. The text explores cutting-edge technologies as well as traditional Hollywood techniques, covering lighting, cameras, editing, crew organization, and the production process. Making complex discussions as user friendly as possible, it teaches the technical elements of the process without relying on jargon. FILM PRODUCTION TECHNIQUE: CREATING THE ACCOMPLISHED IMAGE, Fifth Edition, also lays out the basic, conventional approach to scene structure in a straightforward and methodical manner. Extremely practical, the presentation details what a reader needs to know to make a film and provides a sense of the magnitude of the process--the trials and tribulations, the mistakes, and the myriad intangibles that can make up a production. Vivid illustrations throughout the text depict equipment and their functions as well as step-by-step pictures for certain tasks.
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2009 Cengage Learning analog approach audio basic called camera chapter character cinematographers clip close-up color color temperature composition Copyright 2009 Cengage create crew depth of field dialogue Digital Intermediate director dolly edge numbers editor effects elements fill light film edit film frame film print film stock film’s filmmakers filter Final Cut Final Cut Pro finished focus foot-candle footage format ƒ-stop going head instruments key light lens lenses light meter look mag stock manipulate matchback MiniDV mixer move movement negative cutter NLE systems normal exposure NTSC on-location picture piece position postproduction problems production recording require Rights Reserved roll scene script setup shooting shot shutter signal simply slate sound specific splice sprocket standard stops storyboard studio sync tape telecine timeline track transfer tripod underexposed viewer visual workprint zoom