Epics, Spectacles, and Blockbusters: A Hollywood HistoryWayne State University Press, 15 de abr. de 2010 - 376 páginas Considers the history of the American blockbuster—the large-scale, high-cost film—as it evolved from the 1890s to today. |
Conteúdo
| 1 | |
| 9 | |
| 21 | |
SUPERSPECIALS SPECIALS AND PROGRAMS 19161927 | 41 |
COLOR LARGE SCREEN WIDE SCREEN AND SOUND 18941931 | 62 |
TUNERS SPECTACLES AND PRESTIGE PICTURES 19291939 | 88 |
FEWER BUT BIGGER 19391949 | 112 |
COLOSSALS AND BLOCKBUSTERS 19491959 | 135 |
ROADSHOWS SHOWCASES AND RUNAWAYS 19561970 | 159 |
MULTIPLE JEOPARDY 19651975 | 187 |
SUPER BLOCKBUSTERS 19761985 | 213 |
ANCILLARY MARKETS GLOBALIZATION AND DIGITAL TECHNOLOGY 19862009 | 235 |
Outras edições - Ver todos
Epics, Spectacles, and Blockbusters: A Hollywood History Sheldon Hall,Stephen Neale Visualização parcial - 2010 |
Termos e frases comuns
advertising American April audience August Balio basis Ben-Hur blockbusters Broadway budget camera Cinema CinemaScope Cinerama color companies cost December DeMille Disney distribution distributors domestic rentals early earned epic exhibition exhibitors expensive February figures Film film industry film’s filmed films first first-run five Fox’s Griffith hits Hollywood Ibid IMAX increased industry’s initially January July June Kinemacolor major March MGM’s Motion Picture Movies MPPC musical negative cost nickelodeons November number of films October office opened overseas Paramount percent performances played premiere prints production profit profitable projection Quo Vadis record reels release revenues roadshow roadshow engagements runs scenes screen Selznick September sequences shot sound soundtrack specific spectacle Star stereo Steven Spielberg Story studios success Technicolor theaters theatrical ticket tion Todd-AO United United Artists Variety venues VistaVision Vitaphone Warner Bros weeks wide-screen worldwide York