Beethoven's Diabelli Variations

Capa
Oxford University Press, 1999 - 220 páginas
Beethoven's Thirty-Three Variations on a Waltz by Diabelli, his longest and most complex piece for piano, stands beside the Ninth Symphony, the Missa Solemnis, and the late quartets as one of the monumental achievements of his last period. In this first extended study of these variations, William Kinderman investigates their compositional origins and explores them in the context of Beethoven's other works of this time. Kinderman shows how the composer transforms, parodies, and ultimately transcends Diabelli's commonplace waltz in a fascinating series of historical allusions to other composers in the final variations. Kinderman's discussion provides considerable insight into Beethoven's working methods and illuminates the structure of the finished work, and ultimately the nature of the creative process itself. This new reissue of Kinderman's classic text includes a free CD of his celebrated recording of the Diabelli Variations, described by András Schiff as "a very vivid sounding experience."
 

Conteúdo

The Interrupted Genesis of the Variations
3
The Early Sketches 1819
11
9
26
Plans for the Closing Variations Vars 26 27 30
38
The Late Sketches 18223
45
Vars 32
52
The Autograph Vars 29
58
50
76
61
84
Beethovens Treatment of the Theme
96
The Opening Variations
110
Preface
133
Bibliography of Works cited
216
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Sobre o autor (1999)

William Kinderman, Professor of Music, University of Victoria.

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