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Brazilian Popular Music and Globalization

Couverture
Charles A. Perrone, Christopher Dunn
0 Avis
Psychology Press, 2001 - 288 pages
This collection of articles by leading scholars traces the history of Brazilian pop music through the twentieth-century. It focuses on how traditional Brazilian musical styles have been influenced by international popular music to form new hybrids. Since the heyday of Carmen Miranda in the 1940s, Brazilian influences have been felt in the US, and this two-way street has resulted in an explosion of rich musical styles. With today's emphasis on Global Pop and World Music, there is great interest in Latin American musical forms. For anyone interested in the history and scope of Brazilian music.
  

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Pages sélectionnées

Table des matières

III
1
IV
39
V
46
VI
72
VII
96
VIII
106
IX
123
X
136
XIII
192
XIV
207
XV
220
XVI
233
XVII
245
XVIII
258
XIX
271
XX
273

XI
161
XII
177
XXI
277
Droits d'auteur

Autres éditions - Tout afficher

Brazilian Popular Music and Globalization
Brazilian Popular Music and Globalization
Charles A. Perrone
Aperçu limité - 2001
Brazilian Popular Music and Globalization
Brazilian Popular Music and Globalization
Charles A. Perrone,Christopher Dunn
Aperçu limité - 2013
Brazilian Popular Music & Globalization
Brazilian Popular Music & Globalization
Charles A. Perrone,Christopher J. Dunn
Aucun aperçu disponible - 2001

Expressions et termes fréquents

aesthetic African Afro-Bahian Afro-Brazilian Aiye album artists axe music Bahia Bahian Carnival band baque virado Black Atlantic black culture black music Black Orpheus blocos afro bossa nova brasileira Brazilian music Brazilian popular music Caetano Veloso Carlinhos Brown Carlos Carmen Miranda Chiclete com banana Chico Science contemporary context countercultural critical critique death metal diaspora discourse drums Editora emerged ethnic expression favela festival film forms funk dance funkeiros genres Gilberto Gil global guitar hip-hop identity industry Jamaica jazz Jorge Latin American mangue beat maracatu maracatu de baque Mestre Ambrosio Milton modern movement musicians Mutantes Nacao negro Olodum Orfeu percussion performance play political Portuguese Press production racial radio Recife record reggae rhythms Rio de Janeiro Roberto rock Salvador samba school samba-reggae Santos Sao Paulo social song soul sound styles symbolic theme tion tradition transnational Tropicalist University urban world music young

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Références issues de pages Web

Perrone, Charles A. and Christopher Dunn Eds. Brazilian Popular ...
Perrone, Charles A. and Christopher Dunn Eds. Brazilian Popular Music & Globalization. Journal article by Bruce Dean Willis; Chasqui, Vol. 31, 2002 ...
www.questia.com/ PM.qst?a=o& se=gglsc& d=5001703666

FIPSE-CAPES Exchange Program
Brazilian Popular Music & globalization. Gainesville, Florida: Florida University Press. pp.161-176. 2001. Oliveira, Cloves Luis Pereira. ...
sitemason.vanderbilt.edu/ fipsecapes/ Summer%20Program%202006

Tmecca : Brazilian Popular Music & Globalization by Perrone ...
Brazilian Popular Music & Globalization. 정가, 71900원. 판매가, 71900원 + 수수료 (0% DC). 적립금, 1400(2%). ISBN10, 0813018218. ISBN13, 9780813018218 ...
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【楽天市場】Brazilian Popular Music & Globalization：楽天ブックス
Brazilian Popular Music & Globalization（Brazilian Popular Music ... タイトル：Brazilian Popular Music & Globalization：BRAZILIAN POPULAR MUSIC & GLOB ...
item.rakuten.co.jp/ book/ 4722938/

Taking in the Soul of the Thing: Fantasy, Enjoyment, and Funk in ...
Dunn (eds), Brazilian Popular Music & Globalization. Gainesville FL:. University Press of Florida, pp. 46±71. riseârio, A. (1981) Carnaval ijexaâ. ...
karnacbooks.metapress.com/ index/ 941T074565M17343.pdf

Globalisierung von Musik am Beispiel Brasiliens
ID 5786. Hanna Niklas. Globalisierung von Musik am. Beispiel Brasiliens. Diplomarbeit. an der Fachhochschule St. Pölten, 7. 4 Monate Bearbeitungsdauer ...
www.diplom.de/ db/ diplomarbeiten5786.pdf

À propos de l'auteur (2001)

Charles A. Perrone (PhD Texas 1985) is Professor of Portuguese and Luso-Brazilian Literature and Culture at the University of Florida. He is the author of Masters of Contemporary Brazilian Song: MPB 1965-1985 (Texas, 1989), Seven Faces: Brazilian Poetry since Modernism (Duke, 1996) and translators/editor of several books. He lives in Jacksonville, FL.Christopher Dunn (Ph D Brown 1996) is Assistant Professor at Tulane University, where he holds a joint appointment in the Department of Spanish and Portuguese and in the African and African Diaspora Studies Program. He is the author of a forthcoming book on the Tropicalist movement in Brazil and a contributor to Encarta on Afro-Brazilian topics including new popular music. He lives in New Orleans, LA.

Informations bibliographiques

QR code for Brazilian Popular Music and Globalization
TitreBrazilian Popular Music and Globalization
RédacteursCharles A. Perrone, Christopher Dunn
CollaborateurCharles A. Perrone
Éditionillustrée, réimprimée
ÉditeurPsychology Press, 2001
ISBN0415936950, 9780415936958
Longueur288 pages
  
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